I’ve had enough experiences were technology fails on you at the most unfortunate moment so we did bring back up hardware.” “Especially because at our first meeting with the City earlier in the week, we were told that because of an incident earlier in the year, the UN had created even more strict rules for access and in fact there was a freeze on access approvals. “The pressure of not screwing up the recording was intense,” he says.
We were given safety hats, paid the guards, the gate was opened and we walked to the front of the Dome.” “When a UNESCO site is entered, it’s supposed be guarded.
“We met City staff and four guards,” Nakagawa says.
The artist never worked on a project that required guards so he asked if it would be alright if they took a group picture, which Tom Clancey set up. UNESCO required guards to be posted while the team was recording in the Dome.